Turn on, tune in, drop out. But we’re doing this through literature, not drugs.
It’s time to read the classics. We’ve got a lot of homework at the end of the world! My copy of Don Quixote is on the night table, but I am also finishing up Anthony Burgess’s Enderby books, which are comic classics in their own right.
And then there’s the Latin literature. Much of it is comic, too.
Why, you may wonder, would anyone want to read Roman comedy during lockdown? Well, it’s fun for me, and it’s funny. But I do love classics in other languages too, and am thrilled that so many people are turning to the great books. According to essays in The New York Times, The Guardian, and The Washington Post, people are reading War and Peace, Middlemarch, and The Decameron. And sales are up at Penguin, according to The Guardian.
In the fifth (or is it sixth?) week of lockdown, the number of coronavirus cases here has climbed from seven to 5,000. All I can say is, it is terrifying, but thank God we live in a sparsely-populated state. Every day we wake up and are glad we’re well, but at the same time, What fresh hell is this?
At the end of World War I, Lucy and Daisy, actresses in a theatrical company, have become casual friends: Lucy, a witty, charming vicar’s daughter, got the job for Daisy, a lower-class woman stranded in Australia after a bad marriage. When the company arrives in Egypt, the social gap between the two widens: Daisy absorbs herself in an affair with the rich owner of the company, while Lucy desperately saves money to return to London. Lucy loses her money, her looks, and job after a long illness, mainly because of a decision of Daisy’s. You will love Lucy’s story–she never loses hope but is stranded for years in Egypt–and you will admire Moore’s graceful, dazzling prose.
This is the best of the three books I’ve read by Moore, who was a novelist, a Byron scholar, and founder of a fashion museum.