Bookish News: Lord of the Rings, Greek to Me, & the Konmar Book Method

Alas, the Polar Vortex is cruel. It was 20 below zero yesterday. And now I have a  sinus infection.  Well,  it is supposed to warm up tomorrow and be in the forties this weekend.  I’ll take it.

Meanwhile, distract yourself from the Polar Vortex with bookish news.

1. Chris Taylor at Mashable set out to read The Lord of the Rings trilogy in 24 hours.  Why?  Unclear.  But in “Lord of the Binges,” he says,

I’m no speed reader, but I’m no slouch. Writing insta-reviews of political bestsellers on the day they were released has upped my game. I took an online test that clocks your reading speed and predicts how long you could read various classic books. For Lord of the Rings, its estimate was 11 hours and 9 minutes — 21 minutes under Jackson’s total [film time]. Bags of time!

He says he read it in 21 hours, 57 minutes. 

Is there a point?

2.  I was enthralled by Mary Norris’s essay in The New Yorker, “Greek to Me.”   She loves the alien mysteries of ancient Greek, which she did not begin to study till she was in her thirties, after her first trip to Greece.   And she is awed by the attempts to translate words that have no equivalent in English or context in our culture.

Here’s her first paragraph:

A few years ago, in the Frankfurt airport on the way home from Greece, I bought a copy of Virginia Woolf’s “The Common Reader,” which includes her essay “On Not Knowing Greek.” I already had the book at home, but I was impressed that anything by Woolf was considered airport reading. When I was about ten years old, my father, a pragmatic man, had refused to let me study Latin, and for some reason I assumed that “On Not Knowing Greek” was about how Woolf’s father, too, had prevented his daughter from studying a dead language. I pictured young Virginia Stephen sulking in a room of her own, an indecipherable alphabet streaming through her consciousness, while her father and her brother, downstairs in the library, feasted on Plato and Aristotle.

This article is an excerpt from her forthcoming book, Greek to Me:  Adventures of a Comma Queen.

3.  Deborah Levy at The Guardian unravels the reasons for the recent Twitter war over Marie Kondo’s book-weeding methods. 

The backlash to Marie Kondo’s suggestion that we chuck out books that don’t “bring joy” shows how attached we are to physical books, even in a digital age. I think Kondo is very impressive. I like how she advises us to fold a shirt with love in our hands. Why not? All the same, I’m not going to give it a go because I believed Virginia Woolf when she advised female writers to kill the angel in the house. Hopefully, we did that with love in our hands. (Actually, I thought it was quite exhilarating when Kondo experimented with ripping books apart so they fit better on shelves. Perhaps it’s even a bit dada.)

I am fascinated by Levy’s dada theory.  Levy says she’ll hang on to Colette and Kerouac forever, but she has weeded many, many books in recent years.

Uneven Books, Unsettling Endings

When the cold is record-breaking (20 degrees below zero), we stay indoors.   I managed to finish two books,  Margaret Oliphant’s The Marriage of Elinor and Anne Maybury’s The Minerva Stone.

The neglected Victorian writer Margaret Oliphant is consistently workmanlike, sometimes great.  Her  well-plotted novels are  riveting.    I think of her as the female Trollope: indeed, her Chronicles of Carlingford, set in the fictional country town of Carlingford, were inspired by Trollope’s Barsetshire series.    I enjoyed The Marriage of Elinor, published in 1891, a book I chose randomly from her books at Project Gutenberg.  In this  splendidly entertaining novel, a willful young woman, Elinor, marries The Hon. Philip Compton,  despite the rumors about his immorality and the objections of her mother and cousin John Tatham.  Alas, Phil proves to be an unscrupulous businessman; he also leaves Elinor  to give birth in an isolated cottage (her mother gets there just in time) while he has an affair with a flirtatious woman at a house party. After their son Pippo (Philip) is born,  Elinor refuses to go back to her husband, and she and her mother flee to another town where they hope not to be found.

What if Philip decides he wants his son, Pippo? And what will be the consequences if Elinor doesn’t tell Pippo?

This is a common Victorian heroine’s nightmare in fiction.    In Anne Bronte’s The Tenant of Wildfell Hall, a mother flees to an isolated country house to protect her son from an alcoholic father; in Trollope’s He Knew He Was Right, a father kidnaps their son.

The second half feels a little rushed, but the structure is a perfect ring composition.   Oliphant supported her extended family by her prolific writing, and I suspect she didn’t have time to develop the ideas–particularly the ending.  Still, a good read!

A GOTHIC NOVEL. In the 1960s and ’70s  Gothics were in vogue, and I was always reading  books by Mary Stewart and her ilk.  It is possible I read Anne Maybury’s The Minerva Stone  back then. I do remember this author.  At any rate, I galloped today through this uneven, eerie novel.  Think  I Capture the Castle meets a Gothic heroine fleeing along a cliff path!

The jacket copy says:

THE HAUNTING STORY OF A SUMMER OF TERROR–AND LOVE–IN A BEUATIFUL DORSET CASTLE

How fun is that!

Sarah Palfrey’s  marriage to egomaniac TV interviewer Niall Rhodes is in crisis.  She is staying at her childhood home Guinever Court, a comfy castle by the sea, while Niall is out of the country.  Her family is artistic, loud, and emotional:   her father Kestrel Palfrey, an artist, hates Niall; Freda, her stepmother, a former opera singer, is an earth mother;  her father’s helpless first wife, Polly, and handicapped daughter  by another man, Dido, live there because Polly can’t make a living; and Sarah’s other siblings drop in and out.

 Maybury might have been inclined to write a realistic novel about an artistic family but constrained by the genre of romantic suspense.  (She merely sketches the family members, but there is potential here.) When Niall arrives at Guinever, Sarah and Niall are precipitated into  danger. Someone tries to run Sarah down with a car; someone shoots at Niall and grazes his arm.  Is Luke, Sarah’s former lover, a doctor, involved?  Or the mysterious woman who calls herself Alexandra?

Tune in and find out!

And this is another one with a weird ending.  More post-modern than Gothic.  I will tell you no more!

N.B.  This is not in the class of Mary Stewart’s books!  I’d say it’s third-tier Gothic.  Nonetheless, I  loved the last hundred pages.

A Literary DJ & a Common Reader’s Challenge

i'd rather be reading bogelIf you haven’t read Anne Bogel,  the author of I’d Rather Be Reading: The Delights and Dilemmas of the Reading Life, check out Modern Mrs. Darcy, her  “lifestyle blog for nerds.” She writes polished little essays about books, home, and family (she is a homeschooling mom), and hosts a weekly  podcast, “What Should I Read Next?”

Bogel is a smooth interviewer and a smart literary DJ.  In Episode 168,  “A century of good books (in a single year),” she draws out  guest Tara Nichols, a stay-at-home mom who prefers to be called “a household manager.” Nichols, who writes on Instagram, plans to read one book published each year between 1920 and 2019.

NIchols says the idea for the century of books challenge just “came to her.”    (N.B. I have seen this challenge done at blogs, but perhaps it’s fresh on Instagram.)  Having read 100 books last year,  Nichols embarked on planning her “century.” She loves to tick  books off lists on spreadsheets.  But in 2019 she will read nothing longer than 600 pages, because she needs to read about 100 pages a day.  She will not read the books in order, but hopes to learn how literature has changed in the last hundred years.

It’s harmless, but slightly worrying.  There is no common theme, no common genre, no plan to read all the books by an influential author…  no context.

Mind you, it’s not sour grapes: I read over 100 books a year and have read 98 of the books on her list, but quality and data are not identical. Some books deserve more time than others.  For example, Trollope’s 256-page novel Kept in the Dark and his 1,000-page masterpiece He Knew He Was Right both treat the theme of sexual jealousy, but the former is a minor work, the latter a classic.

It’s the flatness that bothers me on the internet:  the lack of hierarchy, of respect for expertise, the idea that everything is equal to everything else if someone writes it online…

But this is taking something light too seriously.

A Woman’s Guide to Couch Time: Just Don’t Take a Selfie!

“Reading Woman on a Couch,” by Isaac Israels

Freelance writers are dilettantes.  Rule No. 1:   Fake expertise.  With a little research and imagination, you can become a women’s lifestyle writer.

In 2019, there is a surfeit of “self-care” articles, which usually recommend bath bombs, yoga, and designer candles.  Alas, a woman of a certain age is less amenable to women’s mag advice: she worries that the cat will knock over the candles, the bathtub is dirty, and she already has a fitness routine.

So here’s what women want.

A day to collapse on the couch.

Here’s what we need.

A WOMAN’S GUIDE TO COUCH TIME.

  1.  CLAIM THE COUCH.  Nix the weekend togetherness planGently break the news to your husband that you can’t go snowshoeing because you can’t find your snowshoes.   (You threw them out, but he doesn’t have to know that.)  Off he goes to the woods!  Yay!  Now it’s couch time!

2.  CHANGE INTO APPROPRIATE COUCH-WEAR.  Setting the mood for couch time means feeling good about yourself!  So don the silk pajamas you bought on sale–no matter that they’re a size too small.  Top them with two or three sweatshirts because  the wind is gusting through the leaky windows.  My own preferred couch-wear is a blue workshirt I’ve had since high school and stretch pants.

3.  SNACKS.  Fill a thermos with herbal tea and crackers or whatever in a Tupperware container.  Put them on the coffee table.

4.  READ!   YOUR BACKGROUND IS IN LITERATURE, BUT THIS IS COUCH DAY so try a fast-paced best-seller.  Finish Herman Wouk’s best-selling novel The Winds of War, which you started at the gym after a Wall Street Journal writer claimed  it was the American War and Peace.  (It’s actually a fascinating novel about the outbreak of World War II and its effect on an American family.)

5.  CAN COUCH TIME MAKE YOUR SKIN RADIANT?  Self-care always involves skin care products.   Slather on that miracle cream you always forget to put on at night. Perhaps it will work better if you’re lying down. Take a 15-minute nap.  When your wake up you’ll be gorgeous.  Or… really who cares?  Just don’t take a selfie.

5.  WHEN YOUR HUSBAND RETURNS, ASK HIM TO MAKE MORE TEA.   I have trained my husband to make tea on demand, and then I share the couch with him.

EVERYBODY LOVES COUCH TIME!

So Many Books, So Much Time!

If you  were a furloughed federal worker, you’d have loads of time right now.

According to an essay by Sarah Wendell in The Washington Post,  many of the 800,000 furloughed federal employees are spending it reading.

Wendell writes,

I started noticing the trend in my own home, where my husband, furloughed federal employee Adam Wendell, has been burning through books at a startling pace. It’s a good alternative to checking Twitter every 10 minutes to see if the shutdown has ended, he explains.

Wendell says her husband Adam  is powering though Jim Butcher’s Dresden Files books, a fantasy/mystery series.  She also interviewed a furloughed meteorologist in Oklahoma, Barb Mayes Boustead, who recently finished  Tara Westover’s Educated, Sam Anderson’s Boom Town, and Elin Hilderbrand’s Winter in Paradise.

Wendell says library use is up in the D.C. area. “Arlington County has noticed a pronounced increase in its e-book and e-audio circulation from January 2018 to January 2019. While there’s typically a jump of between 1,000 and 3,000 titles, this year it’s closer to 12,000. ”

A furlough might send me into the arms of Commissario Guido Brunett, the hero of  Donna Leon’s mysteries.  A few years ago on PBS, Louise Erdrich, the novelist and owner of Birchbark Books in Minneapolis, recommended Leon’s series as unputdownable.

What would you read if you were on furlough?  Or what are you reading on furlough?  I’m turning on the comments just for today so you can recommend books to read during the shutdown!

By the way, I’m 100% with Nancy Pelosi.

Is the Grand Gesture Dead? Martha Quest and Me

Is the grand gesture dead?  Look it up online and it’s all about romance.  The search engine thinks it’s a Nora Ephron movie.

And that takes the “grand” out of grand gesture.

Grand gestures can be political or personal.  You can boycott grapes, or send flowers. But grapes are dusted with too much pesticide for my taste, and I like my flowers in gardens.

Did boycotting grapes from 1965-1970 make a difference? (Yes,  the grape growers finally signed labor contracts with the union.) Have you protested wars, marched for women’s rights (sans pink hat and GIRL POWER sign), and written to your representatives and senators about climate change? I have.  Do words and marching change things?  Sometimes.

In The Four-Gated City, the fifth novel in Nobel Prize winner Doris Lessing’s Children of Violence series, the wars and chaos of the 20th century have shattered multitudes in Europe and Asia. Leftist characters march for nuclear disarmament in England and protest other threats to the planet, but are frustrated by their inability to solve problems.

The heroine Martha Quest and her friend/employer Mark  converse with an American named Brandon who has fled the McCarthy witch hunts. He says that people often confuse stating a problem with solving it.

He had joked at supper that in his own country, an outsider because radical, he had never felt more of an outsider than this week-end, surrounded by radicals who ‘believed-correct me if I’m wrong-that political protest is a question of stating a problem.

‘…I state something-1 think it’s achieved a change. Like the March-it’s a statement. “We don’t want war.” End of statement. But nothing will have changed tomorrow when everyone goes back to work.’

Sometimes making a statement does help: it brings people together to work for a cause.  But in recent years, aside from movements for social change like gay marriage, the fights for human rights have had little effect.

And the internet is a mixed blessing:  regional newspapers that covered state and local issues have gone out of business as people seek (often fake, and much less reliable) news at Facebook and other venues.  Twitter has  assaulted critical thinking and the grasp of complex language.  Take the Occupy Wall Street movement. The sweet but fuzzy-headed organizers tweeted and arranged camp-outs in parks but never did articulate any demands. They didn’t like Wall Street, or capitalism, or air pollution…but who does? The movement fizzled out. It lasted a few months—less than a year.  And nothing changed.

I have never had a strong grasp of politics, but I have made many personal grand gestures. When a snotty bookstore owner lambasted an excellent book editor, I defended him/her vigorously and said in future I’d buy my books elsewhere. Now that was a noble gesture, and did no harm.  But it was a gesture made by someone who reads too many novels.

The problem is, grand gestures can be grandiose, and they piss people off.

Take my grandest of grand gestures: I vowed in 1992 that I would quit my hated job if Clinton got elected. As one woman said of our toxic workplace, “Every day felt like a rape.” I was tougher than she, and able to cope with the constant sexual harassment, but it was grim. And I had to fight to get my final paycheck: there was much signing of papers and taping of conversations before I got the check that would pay my rent the next couple of months.

And, honestly, I was fragile for a while. But if I hadn’t made the grand gesture—if I hadn’t abruptly quit—I would have suffered more.

Some people, even some women, resented my quitting, perhaps because the consequences weren’t graver.

“You’ll never work again,” said a woman who’d sued this employer a couple of times and eventually been fired.

You’re working,” I pointed out.  And I suspect they were so thrilled I went my own way that they never gave me a thought again.

Now that I’m older, I’m astonished by my boldness. I find the patriarchy much scarier and more extreme now. But it’s quite possible that I was too naive back then to understand whom I was dealing with.  Now we’ve passed the political baton to younger feminists, and good luck to them.  Sadly, much of what we accomplished has been undone, and they must  fight for the same basic rights.

Tessa Hadley’s “Late in the Day”

This weekend I got lost in Tessa Hadley’s brilliant new novel, Late in the Day.  When I put it down to do housework I was unusually absent-minded. I flooded the dining-room table with teak oil as I pondered the relationships between the characters. If you know Hadley’s work you won’t be surprised, and if you don’t, Late in the Day is the perfect place to start.

This insightful, delicate novel is about four close friends in their fifties. It begins with a phone call. Christine and her husband Alex are listening to classical music in their London apartment when the landline rings. Christine answers, expecting to hear her mother or daughter.  But it is Lydia, her  best friend since childhood, calling to say her husband Zachary has died of a heart attack. And this is traumatic for all of them, since Alex and Zachary, both sons of immigrants, grew up together and were lifelong best friends. The two couples are very close.  And their adult daughters, too, grew up together and are close friends.

Relationships  are complicated, as you might expect. Are there too many pairs of best friends? Perhaps I liked it because it is so unlikely, and yet I didn’t doubt it for a minute. It’s all a bit incestuous, like something out of early Margaret Drabble. And the eroticism and sentence cadences are reminiscent of D. H. Lawrence. It’s The Waterfall meets Women in Love, for the middle-aged. It’s beautifully written, and it is also a page-turner.

Hadley goes back and forth in time to tell their stories. She is a master of this kind of storytelling—she  also does this in her superb  novel The Past. The characters in Late in the Day are much more sophisticated than anyone I know, but she makes us understand how they became these people.

In their twenties, Christine, a graduate student in English, and Lydia, a dilettante and femme fatale, met Alex at the university. He was their French teacher and a poet, and Lydia developed a crush on him. She was so obsessed with Alex that she more or less stalked him.  She got to know his wife, babysat for their child, and hung out at the bar where Alex goes. She dragged Christine along for credibility, so she wouldn’t look like a girl with a crush. But it doesn’t quite work out. Christine is impatient with Lydia’s obsession, and moody Alex has no sexual interest in Lydia.   Anyway, Christine marries Alex (after he leaves his first wife) and Lydia marries Zachary. And they are happy, and their lives interwoven.

Their professional lives are also fascinating. Christine gives up working on a Ph.D. on Christina Rossetti to become an artist. Alex stops teaching as an adjunct at universities and becomes an elementary school teacher. Zachary, by far the kindest, most charming character in the book, opens his own gallery in a church and displays Christine’s work. And Lydia slouches around being gorgeous without actually doing anything.  For me, Lydia is the problem–and yet I do know women like that!

Like Drabble, Hadley gives us lots of background on her complicated characters. Let me just say that their relationships become entangled after Zachary’s death. It will make you glad you’re unsophisticated, and at the same time you want to know these people.