Tag Archives: AI

The AI Question:  Do We Need Artificial Intelligence?

I deny knowledge of AI, since I do not quite know how it works, or how it differs from the internet. That may be because in graduate school the T.A.’s (teaching assistants) were called A.I.’s (assistant instructors), so I always think of teaching.  Perhaps the science fiction (SF) scholars insisted that T.A.’s be called AI’s. There was a lot of whimsy.

In many contemporary novels, AI plays a prominent role. It can be used for good or evil, de[pending on the writer. In Paul Bradley’s thriller, The Confessions, LLIAM, an international AI system, shuts down for ethical reasons after it becomes sentient. World chaos results.

Robert Jackson Bennett’s SF mystery, The Tainted Cup, has a magical view of AI. An assistant detective, Din, is magically altered so he can collect every detail at crime scenes. HIs magic sounds exactly like AI. He and his boss, a psychic genius, use the data to solve crimes.

In Ian McEwan’s novel, What We Can Know, few humans have survived a worldwide catastrophe.   AI still exists, albeit in a simpler, less dangerous form. One character consults an AI chatbot about  his quest for a famous writer’s lost poem. The bot tells him he must visit the site personally, because you cannot find everything on the internet.

Although I like to say I don’t know about AI, one can’t avoid the articles and essays.  Last summer, The New York Times published an essay by an English professor who had experimented with a chatbot.  She found it useful for writing email, which had taken a lot of her time. And once, when she was overwhelmed by work and family, the chatbot comforted her.  “It’s hard to be a good mom.” But one gathers that she didn’t continue to use it.

On the internet everything is virtual, so why not have a chatbot as best friend? Yes, I’m appalled, but in a commercial for a chatbot, obviously aimed at young people, this is a selling point. You can tell it everything. As if humans didn’t already spend too much time on the internet, what with phones, tablets, computers.  

Certainly there are many problems with AI.  Students use it to write papers. Instead of trawling  the internet to do research, they ask chatbots to do it for them. And then the chatbot can write the paper.

I am horrified but I wonder: how does this differ from students’ plagiarism of papers at websites in the late 20th and early 21st centuries?   Some professors – the ones who weren’t exhausted – spent hours online trying to figure out if papers were plagiarized.  Now they try to learn if the papers were written by AI.

The real tragedy is that people miss out on the joy of thinking, the joy of research, and the joy of writing. It’s a different world now, and I wonder if the changes are for the greater good.

So hope for the best, expect the worst – but try to hope for the best!

Frankenstein’s AI Monster:  Dino Buzzati’s “The Singularity”

You will be astonished to learn that I have read no articles about AI.  That’s because I have read all I need to about AI in fiction.

Dino Buzzati’s satiric dystopian fable, published in 1960 and translated from Italian by Anne Milano Appel, is an AI dramady, reminiscent of the satire of Gogol or Bulgakov. Buzzati satirically exposes the menace of an AI monster, created by Endriade, a modern Frankenstein. Having never recovered from the loss of his charming but unfaithful first wife, Laura, he decides to endow his giant military-funded AI computer – which appears at first to be a giant white wall – with her personality.  And so he calls her Laura.

No one, not even the Department of Defense, knows what Endriade is up to, and Ermanno Ismani, a meek professor of engineering, wants no part of it.  But the Ministry of Defense recruits him with an offer of a two-year job in the “top secret” military zone for a fantastic salary.  His wife Elisa is eager for him to take the job.

Their trip to the military zone is high Gogolian comedy, with everyone, from highest rank to lowest,  using the silly phrase, “Top Secret.” Finally the Ismanis and Olga Strobele, another scientist’s wife, are chauffeured to the site of the mountain laboratory. Olga is skeptical about the project. And she thinks that everyone is taking it much too seriously.

Olga’s husband, Stobele, informs them:  “ To put it simply, this gigantic installation that so far has cost of well over ten years of effort is… it’s related to us, it’s human.”

But is it human?  Or is it what Olga calls “an electronic brain”? And why do they think this burbling, humming wall is a woman?

Like a scientist in an old black-and-white movie, Endriade hopes to establish complete power over Laura, and then power over the whole world! In life he had no control over Laura, but he thinks he can control AI.

Near the end, Laura says to one of the character, “If I let you go back, he’ll invent other evil things. He wants me enslaved, he’ll tell me about the birds, he’ll keep talking about ‘love, love, love.'”

In this brilliant novel, Buzzati warns us about the future of AI. And he shows us the terrifying hubris of the scientists who develop AI. Better a power plant than an AI wall. Olga may have had the right idea.