Tag Archives: fashion

The Garment: Fashion vs. the Matron

Women want to wear what they do because of what goes on in their heads. Their size and shape have practically nothing to do with it.” – Elizabeth Hawes’s “Fashion Is Spinach”

  I have a closet full of clothes in different sizes. I WILL be small enough to fit into my polar bear pajamas again. I know it. I love the little bells on the pajama shirt. It’s worth it for the Christmas bells. And yet I will NEVER fit into my mother’s white wedding nightgown, wrapped in tissue in a box, because she was probably a size 2, and I do not know why she gave it to me.

I have hardly any fashion sense; yet I enjoyed Elizabeth Hawes’s intelligent memoir, Fashion Is Spinach. She was a fashion designer who tried to revolutionize the women’s clothing industry.  

I also enjoy reading about clothes in fiction. I love the ballgowns in War and Peace, the detail of the evening gown worn in Paris in the daytime by Sally Jay Gorce in The Dud Avocado, Linda Radlett’s chic dresses bought in Paris by Fabrice, her rich French boyfriend, in The Pursuit of Love, and Lucy Snowe’s gray dresses in Villette.

I am Lucy Snowe rather than Linda Radlett. Obviously. When I bicycle to the bookstore, I wear what I call “matron” clothes, linen slacks and rayon tees, so I won’t be mistaken for a homeless person. Once at an elite independent bookstore, to which I had bicycled when it was 92 degrees, the black-clad owner glared over cat-eye glasses, obviously thinking I might sweat on her comfy reading chair. Her look, that of a vampire, could kill. But I was dehydrated and I had to sit down and drink iced tea. I did not feel obligated to buy a book from her.

In my ordinary life I wear soft clothes, old jeans or business-like pajamas, which one can wear to the neighborhood store without raising eyebrows.

I rarely go shopping. Earlier this summer I shopped accidentally, lured by beautiful linen shirts flapping from a rack in the wind in front of a store full of gorgeous clothes.  Fashion is seductive. Before I knew it I had 18 tops in the fitting room, and tried on all of them, like Cathy in the comic strip. I bought a couple of tops and something I call “the Garment.”  Cathy might have understood my infatuation with the Garment.

“This will look really cool with my jeans,” I thought when I tried on the Garment.

OK, was it the same Garment when I got home? What looked stylish in the fitting room was, in my bedroom, a cross between an oversized beach wrap and an asymmetrical kite.  I loved the blue floral print and soft cotton and would have worn the Garment as a bathrobe if I could have found the sleeves, which were puffy and fanned out like wings once you maneuvered into them. I tried on the Garment many times before I decided to take it back.

Was it worth it to be fashionable for a minute?  Yes, it was.  I loved the idea of the Garment. I loved the idea of wearing something daring and avant-garde, yet age-appropriate. And it WAS that! It really was. But next time I go shopping I must take a shopping-resistant pill, perhaps a vitamin (there must be SOMETHING on the internet), because in my right mind I cannot understand what I’m looking at, what it means, or whether I can even put it on by myself.

A Fashion Faux Pas: Fashion in New Books

For years I read classics where women wore long, rustling gowns, kid gloves, silk slippers, lockets, and bonnets:  hence my modern green tights faux pas after reading D. H. Lawrence’s Women in Love in the ’90s.  Gudrun, a sultry artist, wears green tights with her artistic, original dresses.  And so I bought a pair of green  tights, thinking they would complement my latest outfit, a long green sweater with shoulder pads over a green plaid skirt. The outfit was cute sans green tights, and I never wore them again.  But why did I trust Lawrence’s fashion sense?  Memo: Male writers are not fashion designers!

This year I’ve read five new books in an effort to expand my fashion sense.  No, that’s not it:  I’ve simply decided to branch out into the lit of the 21st century.

Below are the five new books I’ve read this year, with a rating, the author’s views on fashion if applicable, and a link to my posts on the books.

FIVE FASHIONABLE NEW BOOKS

The Notebook:  A History of Thinking on Paper, by Roland Allen

***** Great!

Notebooks never go out of style. The author takes us from tablets to scrolls, wax and wood to papyrus and paper, illuminated manuscripts to the commonplace book. He traces the history of Moleskine notebooks. (Barnes and Noble is the largest American distributor of Moleskines,  which are the best-selling product of a company in Italy.)  While reading Allen’s intriguing book, I acquired a new glossy notebook in which I plan to write a sentence a day. So far, I have written six. (Hurray!)

Green Dot, by Madeleine Gray **** V. Good!

This Australian novel is sharp, funny, and sad: it may seem too light to some readers, but I regret that it didn’t make the Women’s Prize longlist. The witty narrator, Hera, a desperate woman in her mid-twenties, realizes she cannot go to school forever and takes a job as an online comments editor for a newspaper. It is a tedious but very funny job, and the best scenes are her comedic yet painful reactions to the repetitive absurdity. She makes the mistake of falling in love with her married boss, and spends so much of her time waiting for him to call on her cell phone that she is exactly like the narrator of Dorothy Parker’s classic story, “The Telephone Call.”

I am hazy about the fashion, but at one point a friend  advises her to wear a “naughty little skirt” to get her boss/boyfriend’s attention.  Hera snaps that she has no naughty little skirt. At that point she still has self-respect.

Hummingbird, by Sandro Veronesi

**** V. Good

I recall no fashion in this intense novel about a dysfunctional Italian family, but the protagonist and his brother do inherit their  parents’  vintage ‘60s furniture, which happens to be worth a lot of money.  There is much plastic and steel and it sounds uncomfortable! I do recall this style of furniture. Very sharp.

Glorious Exploits, by Fardia Lennon

***** Great!

The only fashion in this brilliant tragicomic novel, set during the fifth century B.C.,  would be the costumes worn in Lampo and Gelon’s  production of two Greek tragedies, with Athenian prisoners as actors.  Not for everyday wear, but the masks might come in handy after a sleepless night.

The Cemetery of Lost Stories, by Julia Alvarez

**** V. Good!

I don’t remember much about fashion in this novel, though the groundskeeper of the cemetery wears old faded clothes.  One other fashion detail:  Alma, the writer-heroine, orders her sisters to dress up to attend a meeting with the lawyer who, after two years, has finally settled  their parents’ estate. Fashion is a means for women to gain respect, Alma informs her sisters.  A short deconstruction of the role of women’s clothing?

DID I ENJOY THESE BOOKS?

All of these were entertaining, super-fast reads.  Why is that?  Is it because the sentences are shorter than those of Henry James? 

Maybe it is because they are written in the vernacular. And they portray a strange new world at odds with the worlds of my favorite Victorians. 

I hope to find some other good new books to read this year.

Recommendations appreciated.

Have you noticed any strange or wonderful fashions worn by fictional characters?